Artist Statement

Artistic Philosophy

I believe art and photography should be for all and not just a few. Art and photography should be deeply personal and valuable to the creator. Viewers are welcome to critique it, but their opinions are just that—opinions. I create art for the pleasure of creating it, not for anyone else. It is meaningful to me, and it is great if the viewer finds their own meaning in it. It’s also perfectly fine if they don’t like it. My art is not created with commercial success in mind but to be meaningful to me and, hopefully, to others as well. My work is a picture of my mind and emotions.

Inspiration and Influences

I often take inspiration from my trips to the Montreal Museum of Fine Arts, which I visit at least twice a month. I love lines and angles, often seeing opportunities for abstract photos in new or familiar locations. Music also influences my compositions and edits, with song lyrics inspiring ideas for photos or edits.

Themes and Subjects

The beauty of handheld macro and architectural abstracts is their vast variety of themes and subjects. The unifying factor in my work is that they are all shot in place, sometimes only adjusting the lighting or waiting for a different time of day. ICM street photography and, occasionally, ICM nature photography interest me as well. Candid street photos in an ICM style to anonymize the subject are a significant part of my work. My library includes many macro photos of plants, flowers, insects, and interesting abstract photos from vacations and around my work area.

Creative Process

If the process starts with "let’s go take a photo," I consider the location, time of day, and potential shots to pack the right lenses and flashes. I try to get as much right in-camera as possible, from exposure to composition. Once home, the post-processing phase begins, sometimes immediately, but often days or weeks later. Over time, I developed a custom technique in Photoshop that brings a cohesive, Pictorialism-inspired style to my work, reflecting the look of expired film. This phase includes cropping, adjusting imperfections, colors, and contrasts, and reassessing the image to see what can be improved. I tap into my emotions during this phase, letting them influence the final image. I then export the image in various resolutions and formats for social media and printing and prepare short write-ups for posting.

Purpose and Vision

I aim to communicate to the world the things I have seen and captured or dreamt of, viewed through an ethereal, surreal, and dreamy window. I want my audience to feel or think about their dreams and memories, focusing on how clearly or blurry they can envision them.